2O14 Wordwave Festival







〈 陌生的持有 〉


Host: Tsai Wan-Shuen & Yannick Dauby

2014.08.02 Sat. 19:00~



Wan-Shuen Tsai grew up in the archipelago of Penghu, Taiwan. Studied and lived in France during several years and nowadays settled in the region of Taipei. Her artwork is shared between mixed-media installation, drawing, video and poetry. Her installations are ephemeral and constitutes a specific relationship to the physical space and architecture. Her image creation suggests an opening of narration and transforms a landscape into a mental space. 

In parallel of her personal projects, she collaborates since 2004 with sound artist Yannick Dauby under the group name Shijingren, focusing on audio-visual works about landscape. This project has been invited by artist residencies in France, Taiwan and Estonia. In 2008, founded Atelier Hui-Kan developping activities related to pedagogy, publication and communities (www.hui-kan.com). In 2006, she published a collection of her poems and she’s currently preparing the second one.


Yannick Dauby

His sound practice was initiated around 1996, studying tape music (musique concrète in French) : discovery of the physicality of the magnetic tape, vertigo-inducing analog synthesis and acousmatic pleasures. However, it's outdoor that things really started. He began working with field recording since 1998, during a travel in a distant country, capturing fragments of environments, urban situations, animal signals and unusual acoustic phenomenas. Those are his favorite materials, sometimes published like they are as phonographies, or providing some montage elements for some audio documentaries or musical compositions. On stage, he improvises mainly with recorded sounds, modular synthesizer and computer. Regular collaborations with other sound artists, contemporary dance (since 2007, produces soundtracks for Horse Dance Company in Taiwan) or in association with visual artists (such as the creations about landscape with Wan-Shuen Tsai). Experimenting the perception of acoustic spaces with sound installations. His active discography includes personal compositions, documentations of performances, and selected phonographies. Fascinated by ethnology and natural sciences, he often wanders into these domains in collaboration with naturalists or during community-based projects in Taiwan in Hakka or aborigine villages. Plans for the next years include more exploration sessions of the island through artistic activities and sound documentation as well as teaching actions. (www.kalerne.net)